Women s Rights During The 1848 Seneca Falls Declaration...

The women of America have struggled to gain the same equality as men. The 1848 Seneca Falls Declaration and the Triangle Shirtwaist Factory fire were two documents showing the mistreatment and the unfairness of women in the work place and America as a whole. Some people did not believe women had the same rights as men, but women thought otherwise and wanted their voice heard. The aspects of equality in the American Dream were unavailable to women because women were not given the same rights as men. Similar to the Declaration of Independence which showed the unfair laws Britain placed upon the colonies, the Seneca Falls Declaration explained the rights not given to women by men. One of the grievances in the Seneca Falls Declaration stated, â€Å"He has never permitted her to exercise her inalienable right to the elective franchise. He has compelled her to submit to laws, in the formation of which she had no voice† (Stanton, Anthony 57). In other words, women had to obey the law s just like men did, but women did not have the right to vote. Women had no voice in which laws were passed but they understood that by being citizens of America they should have a say in the government. The Seneca Falls Declaration clearly stated, â€Å"Having deprived her of this first right of a citizen, the elective franchise, there by leaving her without representation in the halls of legislation, he has oppressed her on all sides† (57). Women saw the inequality being given to them and they wrote theShow MoreRelatedThe Women s Suffrage Movement889 Words   |  4 Pagesthe campaign for women’s suffrage during Wilson s administration. 2. NAWSA: National American Woman Suffrage Association. Founded by Elizabeth Cady Stanton and Susan B. Anthony to secure the vote for women. 3. True Womanhood: (1820s-1840s) Idea that the ideal woman should possess the traits of piety, purity, domesticity submissiveness. 4. President Woodrow Wilson: Was against the women’s suffrage movement. 5. Jeannette Rankin (Montana): In 1916, before women could legally vote, she became the

Can Tony Harrisons Poem V Be Considered An Elegy For A Passing Culture - Free Essay Example

Sample details Pages: 8 Words: 2268 Downloads: 1 Date added: 2017/06/26 Category Literature Essay Type Argumentative essay Level High school Did you like this example? When first broadcast on Channel 4 in 1987 Tony Harrisons long poem v. caused a furore, mainly in the popular press. Famously, the Daily Mail condemned it as featuring a torrent of four-letter filth (Harrison, 1989, p.40), and a number of other, principally tabloid newspapers published critical articles and columns which helpfully totted up for their readers the number of swear words used in the poem. Don’t waste time! Our writers will create an original "Can Tony Harrisons Poem V Be Considered An Elegy For A Passing Culture" essay for you Create order In the House of Commons an Early Day Motion was proposed on 27th October 1987, calling upon Channel 4 not to broadcast the poem on the grounds that it featured a stream of obscenities (Harrison, 1989, p.60). For a brief period Harrisons poem was a battleground fought over by conservative and liberal opinion concerning freedom of expression in the media. That so much attention was paid to the use of bad language in the poem may be at least partly explained by Harrisons innovative development of the film poem medium (see Harrison, 1995), which meant that v. gained the sort of exposure otherwise closed off to contemporary poetry in Britain. This suspicion is to some extent supported by the observation that the poem had appeared in print in 1985 and caused not much of a stir beyond the fairly small readership for contemporary poetry. However, the main point here is that such a focus upon the controversial nature of the language of the poem might distract us from its main concerns and strengths. In a newspaper article written in support of v. Blake Morrison described it as a real state-of-the-nation poem (Harrison, 1989, p.57), and said that the real shock delivered by the poem is that it describes unflinchingly what is meant by a divided society (Harrison, 1989, p.56). Such an assessment identifies the political character of v., a poem written at the time of the Miners Strike in 1984-5, which is often considered to be not only the most bitterly fought industrial conflict of the post-war era in Britain, but also the event which brought about the end of that era and of a whole class and its way of life, especially in the North of England. It is for this latter that v. may be said to be an elegy, an elegy which has both personal and collective dimensions. Traditionally, as a genre the elegy has been seen as providing consolation to those who have lost someone they have loved or valued. According to Jahan Ramazani, the elegy has had the propensity to translate gr ief into consolation (1994, p.3). Ramazani cites such examples as John Miltons Lycidas and Percy Shelleys Adonais as elegies which end with their subjects affixed in the firmament or in the landscape as permanent, transcendent entities whose light will never fade (1994, pp.3-4). Much the same tendency may also be found in Rupert Brookes self-elegy The Soldier (1914), in which the speaker offers the compensation that after his death theres some corner of a foreign field/That is forever England (see Ramazani, 1994, p.70). For the purposes of a discussion of Harrisons v., however, it is arguably the most famous example of the elegy in the English language which has the most relevance Thomas Grays Elegy written in a Country Churchyard (1751). That relevance is partly founded on the fact that Grays poem was apparently prompted by the writers contemplation of the churchyard in Stoke Poges where his mother was buried, just as Harrisons poem arises from a visit made to the family plot in H olbeck Cemetery in Leeds. Moreover, like Harrisons, Grays poem is a self-elegy concluding with a self-composed epitaph for the speaker, as well as being an elegy for the nameless rude forefathers (Price (ed.), 1973, p.662, l.16) mouldering away in their unmarked, or crudely inscribed graves in the churchyard. In these ways, Grays poem combines both personal and impersonal or collective elements. Tony Harrison has explicitly acknowledged his use of Grays Elegy in discussions of v. (see, for example, BBC, 2011). In doing so, Harrison focusses upon his use of Grays metre, stanza and alternate rhyme scheme (although, it should be said that he employs rhymed iambic pentameter organised into quatrains in many of his best known poems). For Harrison, to write using such versification is important in making his poetry accessible to a wider audience, but also it may be said that he employs such forms for subversive purposes à ¢Ã¢â€š ¬Ã¢â‚¬Å" to take the traditional forms of poetry and fil l them with explicitly political, if not confrontational content. In an interview with John Tusa on Radio 3 in 2011 Harrison talked of v. as a rage in an urban churchyard (BBC, 2011), and of his purpose being to find a voice for that rage rather than melancholic reflection. If the humble dead scattered about Stoke Poges are for Gray largely anonymous, for Harrison they are family, or substantial people, in more than one sense. However, in the poem Harrison communicates his sense of division with regards to his relationship with the people who occupy the grave-plots in Holbeck Cemetery and to his origins in the working class community of Beeston Hill in Leeds more generally. It could be said that v. is an elegy for his parents (both of whom had died only a few years before the poem was written), and is also an elegy for the working class community and culture from which they and Harrison came, a community slowly dying from the process of de-industrialisation hastened along by the Tha tcherite economic policies of the 1980s. However, in addition it may be said that the poem constitutes an elegy for the poets own lost connection with and belonging to the community and family in which he was brought up. At the beginning of the poem the speaker takes us on a tour of the tombs and memorials of the solid citizens who made up the community of Beeston Hill in the past à ¢Ã¢â€š ¬Ã¢â‚¬Å" Wordsworth, who built church organs, Byron, who tanned/luggage cowhide in the age of steam (1989, p.7). Of course, Harrison makes effective ironic use of these names, playing with our recognition of them as the names of central figures in the canon of English poetry, whilst simultaneously pulling the rug from beneath the feet of our expectations. As Helmut Haberkam points out, Harrisons description of himself as bard in the opening stanza of the poem suggests the romantic idea of the vates (1994, p.92), or prophetic poet, which was popularised by the likes of Thomas Gray in the 18th c entury (Gray even wrote a poem of that name). However, Harrison immediately undermines this (quite literally) in the following stanza by revealing that the graveyard sits above the galleries of an old coal mine which one day in the future will cause his grave and those of the distinguished dead to drop/into the rabblement of bone and rot (1989, p.7). So, rather than being set apart as a figure with a specially privileged vision, Harrison implies that he in fact will end up where he began, amongst the rabblement of butcher, publican, and baker (1989, p.7), thus, according to Haberkam, validating the idea of the poet as a socially responsive and responsible contemporary (1994, p.92). However, the scenario developed in the poem by Harrison from this point on radically puts into question his entitlement to represent poetically the community and culture to which he used to belong. We learn that whilst his father would come home with clay stains on his trouser knees every week after ha ving tended his mothers grave, Harrisons visits to their graves have been more sporadic and of shorter duration (odd ten minutes such as these (1989, p.12)). What seems to be implied is that the work of remembrance is precisely that à ¢Ã¢â€š ¬Ã¢â‚¬Å" a matter of the hard graft of ritual and routine, of tending graves in practice but also, by so doing, maintaining links with the past and the dead by making them part of our lives in the present. Although Harrison is horrified by the obscene and racist graffiti he finds sprayed on the graves, he is forced to ask the question whos to blame, the drunken Leeds Utd fans who rampage through the graveyard, or people like himself, who left Leeds for work or fuller lives (1989, p.12), people whose relationship with their origins might be said to be, at least, ambivalent. In order to convey this ambivalence towards his origins and his sense of loss, Harrison à ¢Ã¢â€š ¬Ã¢â‚¬Å" whose first successes, it should be remembered, were as a dramat ic poet à ¢Ã¢â€š ¬Ã¢â‚¬Å" employs dialogue and character. The sight of the racist and obscene graffiti causes the anguished Harrison earnestly to question their meaning and their cause: But why inscribe these graves with CUNT and SHIT? Why choose neglected tombstones to disfigure? What is it that these crude words are revealing? What is it that this aggro act implies? Giving the dead their xenophobic feeling or just a cri-de-coeur that man dies? (1989, pp.16-17) However, at this point another voice à ¢Ã¢â€š ¬Ã¢â‚¬Å" that of an unemployed skinhead interjects violently: So, whats a cri-de-coeur, Cunt? Cant you speak/the language that yer mam spoke (1989, p.17). From this point in the poem onwards, Harrison is engaged in an increasingly desperate dialogue with the skinhead (his alter ego (1989, p.31)), who taunts the poet for his claim to represent people such as himself: Dont talk to me of fucking representing/the class yer were born into any moreà ¢Ã¢â€š ¬Ã‚ ¦/Who needs/yer fucking poufy words. Ah write me own. (1989, p.22). For a poet who throughout his writing life has documented his struggle to give voice to the experience and culture of the community in which he was brought up (in the well-known poem Them and [Uz], for example (Harrison, 2003 (3rd ed.) pp.102-3), the skinheads question is a crucial one, and one for which the only answer Harrison has seems to be to re-enact that struggle dramatically and poetically. Michael Thursto n writes that whereas Thomas Gray can peacefully contemplate his elegiac resources in the quiet context of graveyards, Harrison is called on to defend both poetry and his own poetic practice against claims lodged by a spokesman for historys victims (2009, p.148). By this reckoning, the traditional compensations made available by the elegy form à ¢Ã¢â€š ¬Ã¢â‚¬Å" the assurance offered by the poet that the subject of the elegy will achieve a permanence and a transcendence in the shape of the elegy itself à ¢Ã¢â€š ¬Ã¢â‚¬Å" are dependent upon a tacit agreement that the poet may legitimately represent the absent subject. This assurance, however, is denied to Harrison, for whom all the versuses of life (1989, p.11) the political conflicts that divided Thatcherite Britain, class v. class as bitter as before,/the unending violence of US and THEM,/personified in 1984/by Coal Board MacGregor and the NUM (1989, p,11) à ¢Ã¢â€š ¬Ã¢â‚¬Å" these conflicts extend into the graveyard itself and into the poetry and the language employed by Harrison. According to Terry Eagleton, Harrison is a natural Bakhtinian, for whom language itself is a terrain of struggle where opposing accents intersect (1991, p.349). The skinhead with whom Harrison engages in the poem may well be alienated from the community which spawned him (from both its past and its present) but, unemployed and xenophobic as he is, he may also be more representative of that community than the poet could ever hope to be. Moreover, the skinhead sees Harrison himself as the class enemy, as one of those who speaks down to him, treats him like he is dumb (1989, p.19). He has his own words and way of expressing them, which in the end may be just as valid as those brief chisellable bits from the good book (1989, p.10) engraved on the gravestones which the graffiti obscure, or those of Harrison himself. However, although the conflict enacted by Harrison in the poem would seem to put into doubt his right to commemorate and to speak for the community which the skinheads very presence would appear to mark as having past, this in itself is rendered ambiguous by the revelation that the foul-mouthed disaffected skinhead and the polyglot cultured poet are one and the same (He aerosolled his name. And it was mine. (1989, p.22)). The words that the skinhead has spoken throughout the poem have been Harrisons, and the skinhead himself, as Harrison has made clear, is what he may have become if he had not benefited from the 1944 Education Act which enabled him to go to Leeds Grammar School (BBC, 2011). So, in the end, the skinhead is revealed as the ghost of the life that Harrison did not lead à ¢Ã¢â€š ¬Ã¢â‚¬Å" one where he stayed in Leeds, found himself subject to social and economic forces beyond his control or understanding, and was ultimately dumped on the slag heap. The poem has been, by this account, an elegy for that lost life. Bibliography BBC (2011) The John Tusa Interviews: Tony Harrison. [Online]. Available from https://www.bbc.co.uk/programmes/p00nc89r [Accessed 30th October 2015] EAGLETON, T. (1991) Antagonisms. In ASTLEY, N. (1991) Bloodaxe Critical Anthologies: 1: Tony Harrison. Newcastle: Bloodaxe Books (pp.348-50). GRAY, T. (1751) Elegy written in a Country Churchyard. In PRICE, M. (1973) The Oxford Anthology of English Literature: The Restoration and the Eighteenth Century. New York: Oxford University Press (pp.661-5). HABERKAM, H. (1994) These Vs. are all the Versuses of Life. In BARFOOT, C. (ed.) In Black and Gold: Contiguous Traditions in Post-War British and Irish Poetry. Amsterdam: Rodopi Press (pp.79-94). HARRISON, T. (1989) v. (2nd Ed.). Tarset: Bloodaxe Books. HARRISON, T. (1995) The Shadow of Hiroshima and other Film Poems. London: Faber and Faber. HARRISON, T. (2003) Selected Poems (3rd Ed.). London: Faber and Faber. RAMAZANI, J. (1994) Poetry of Mourning: The Modern Elegy fro m Hardy to Heaney. Chicago: University of Chicago Press. THURSTON, M. (2009) The Underworld in Twentieth-Century Poetry: From Pound and Eliot to Heaney and Walcott. New York: Palgrave Macmillan.

The Cognitive Theory Of Emotion - 1379 Words

Based on Tom’s feelings of anger, the theory of emotion described in the text that best fits his feelings at the time is cognitive-appraisal theory. The cognitive-appraisal theory states that â€Å"if a person notices a particular psychological response, that person has to decide what it means before he or she can feel an emotion† (Baird 195). In Tom’s case, about halfway through his Milgram’s experiment, his heartrate starts increasing and he starts sweating. He then stands up angry and declares that what is going on is wrong. He then proceeds to slam his fists on the table and say he will no longer participate. Tom’s reactions are following the cognitive-appraisal theory of emotion as he first must process what he is feeling about his heart†¦show more content†¦The drive-reduction theory of motivation might help explain why Tom walked out. The book states that â€Å"departures from the optimal states creates drives† (Baird 200). Du ring this experiment, Tom was removed from his optimal state as he began to sweat, his heartrate increased, he became angry, and stated what was going on was wrong and he no longer would participate. Nonregulatory drives involved in the drive-reduction theory such as sex or social drives also might help explain why Tom might have walked out. An example of these nonregulatory drive is â€Å"a drive to preserve safety motivates feelings of fear, anger, and even the need for sleep† (Baird 200). The reason I chose this theory of motivation to describe why Tom walked out is not only because of his removal from his optimal state, but also because the other theories might not be able to explain why Tom left. The social learning theory â€Å"emphasizes the role of cognition in motivation and the importance of expectations in shaping behavior† (Baird 200). From the definition of the social learning theory, Tom’s importance of expectations or goals from the experiment wer e never introduced making it difficult to choose this theory as we do not know what his goals were as a participant. Central-state theory of motivation tries to explain â€Å"drive by understanding them as

Representation Of Women And Femininity - 1557 Words

The media, in all forms, plays a significant role in constructing and promoting the normative notions of femininity and masculinity. Gentlemen’s Quarterly, or GQ, is a men’s magazine which, focuses primarily on male’s fashion and culture through advertisements and articles of varying topics. Despite being a men‘s magazine, there is a fair amount of women and femininity displayed throughout the magazine. This paper will be focusing on and analyzing only the visual representation of women and femininity within the men’s magazine. There are three main modes in which women and femininity are shown in the visuals of the magazine. First, Femininity, in this September 2014 edition of GQ, is often displayed through the application of males exhibiting feminine qualities. Second, notions of women and femininity are shown through the interactions between males and females throughout the magazine, being almost exclusively showing women as accessories for the men . Finally, the subjects of interest are shown through females in ads with solely female models. The magazine enforces many of the social norms dictating what femininity should be and how females should act. Additionally, despite the magazine mostly using female models in a degrading way, it proceeds to, on many occasions, seemingly mask masculinity behind feminine characteristics. Throughout the magazine, femininity can be observed through males expressing feminine qualities. Within the first few pages, this idea is clearlyShow MoreRelatedRepresentation of Women and Femininity in She and Arabian Nights1365 Words   |  6 Pagesmarried to Shahrazad. Her generous nature to save other women in the kingdom that motivates her to the marriage. The dominant themes in the two novels are heroism, courage and ever-present sense of danger. Ayesha and Shahrazad are two different women in different situations. Both of these characters have shown the themes of female authority and feminine beha viour but in their own ways. Feminism can be explained in a very simple way that women are equals to men which means that they are as intelligentRead MoreSocial Construction And Its Impact On Society Essay1323 Words   |  6 PagesDepictions of Femininity Across Multiple Races Femininity is the ideal or qualities that pertain to females or womanhood. The ideal of femininity is one that reaches globally due to the international understanding of womanhood. The idea of femininity does not indicate that women are limited to specific women and gender roles. Instead, it is an understanding and connection of women that stretches across borders. However, it is essential to make note that the experiences and depictions of all women are notRead MoreAnalysis Of Jamieson s The Double Bind And A Bitch 833 Words   |  4 PagesJamieson (1995) Beyond the Double Bind, Double Bind Number Four: Femininity/Competence The sixth chapter in Jamieson’s (1995) book Beyond the Double Bind works strictly with the bind of femininity and competence. This is the bind where women have to balance a fine line between feminine and masculine without tipping the scale. If a candidate shows too much femininity, she risks losing brains, and authority. On the other hand, if a candidate is not feminine enough, she becomes too masculine, strongRead MoreGrowing Up Where, No One Looked Like Me, : Gender, Race, Hip Hop And Identity Essay1729 Words   |  7 PagesIn the article, Growing Up Where â€Å"No One Looked Like Me†: Gender, Race, Hip Hop and Identity in Vancouver Canada, author Gillian Creese examines the dimensions of gender and racialization, this study exemplifies how African-Canadian men and women are constantly faced and conflicted with identity issues. The study conducted interviews with second generation African-Canadians, ages nineteen to thirties. Participants were asked to recall mome nts from their childhood, in particularly their adolescenceRead MoreThe Self Representation Of Young Women899 Words   |  4 PagesThe self-representation of young women today, however, is limited by social and political forces. The bodies of young Australian women are still governed by laws and regulations around female bodily autonomy, including the criminalisation of sex work and the difficulty in accessing abortions. Females are continually blamed for their own sexual assault and rape, and young women are still sent home from school over their dress code. In a study sponsored by VicHealth, it is revealed that up to â€Å"1 inRead MoreGender Bending : Femininity And Masculinity928 Words   |  4 PagesBending Womanhood is often associated with femininity while manhood with masculinity. Masculinity is the idea that men are tough both physically and mentally. Femininity, a term associated with being a women and used to describe a women’s comportment and attitude. A gentle individual, male or female, who wear dresses, skirts, high heels, makeup, have long hair is considered feminine. Unfortunately this term is used to define womanhood, if a women does not portray feminine characteristics sheRead MoreAn Analysis Of George Cuviers Hottentot 1150 Words   |  5 PagesAmerican colonizers and promised a better life. Instead, she was displayed in U.S freak shows simply because her capturers and audience were curiously fascinated with her large buttocks and labia, in which she was presented as a freak of nature. Men and women from all over the country traveled to gaze upon her nude and exploited physicality, where she was denied of her language, which also contributed to the deni al of her humanity. Her master, George Cuvier attempted to use science to justify the imposedRead MoreSummary Of Homosexuality In Kushners Angels In America729 Words   |  3 PagesFemininity is something that can often be overlooked by the authors of any literary piece. During the time of â€Å"Angels in America†, Homosexuality was not something that was as widely noticed, or even respected, during the 1990s, in which the play was written. The play, taking place in Manhattan, New York, being a fairly loud city, homosexuality would generally be something that is not widely accepted. Kushner represented the ups and downs of homosexuality and a character with aids, becoming realisticRead MoreVisual images Reinforce Traditional Gender and Sexuality Stereotypes948 Words   |  4 Pagesinteractions with others† . These stereotypical representations of men and women depicted in advertisements invoke gender identities and reinforce societal values and attitudes towards gende r roles. Renowned Canadian sociologist Erving Goffman stated that the stereotypical portrayal of gender â€Å"insinuates its way into our collective cultural consciousness, even our individual psyches, normalising certain traits associated with masculinity and femininity, men and women, and impacting upon how we frame and defineRead MoreCosmetics: Depicting False Femininity in Vogue Essay893 Words   |  4 PagesIn today’s contemporary society, magazines, such as Vogue, depict women utilizing cosmetics to enhance their natural features in order to achieve the central goal of attractiveness. This idea of a consumerist society causes women to become objects of desire and victims of suppression, impacting their individual identities. The concept of consumerism allows Vogue to profit materially, targeting certain aspects of culture through three methodological tools of research, such as ethnography, textual

I am writtin my on Sherman Alexie, author po Essay Example For Students

I am writtin my on Sherman Alexie, author po Essay et, and screen writer for in my personal opinion he teaches, inspires and entertains. Sherman Alexie has a flair for taking you to a creative , playground that interculterally is familiar and unfamiliar to all of us. I will begin with his biography: Alexie , a Spokane/Couer dAlene Indian,grew up in the spokane indian reservation in Washington State, he was born october 1966. his father held varous jobs, including truck driver, logger. His mother was a social worker. Alexie born hydrocephalic ( water on the brain) under went a brain operation at the age of 6 months, he was not expected to survive, although he beat the odds doctors predicted he would live with severe mental retardation, he did suffer seizures and bed-wetting through out his childhood. Preferring to stay in side , he developed a love for reading. As a young adult Alecie faced a new problem alcoholism, alcholo plagued his life for 5 years, he became sober at the age of 23. He attended high school at Reardon high where he was the only indian..except for the school mascot Alexie graduated with honors an planned to be a doctor until he fainted 3 times in human anatomy class. He then decided he needed a career change and stumbled into a poetry workshop at Washington Stae University in Pullman. He graduated in American studies from Wahington State. He then cranked out 6 poetry books and short story books, including the award winners THE BUSINESS OF FANCYDANCING and THE LONERANGER AND TONTO FISTFIGHTING IN HEAVEN. This puts the total number of pieces of work, including pieces written for magazines, at over 300. His 1sst novel RESERVATION BLUES got him names on the Grantas Best Young America Novelis and won him th Before Columbus Foundations America Book Award. Also the Murray Morgan Prize. Alexie will write and produce RESERVATION BLUES. As was his screenplay SMOKE SIGNALS , which he helped produce. As far as his personal life , Alexie has one child with his wife Diane who is a college counselor, Hidatsa Indian and former basketball player, like Alexie himself( a 62 shooting gaurd) they reside in Seattle, Now that I gave you the reader a brief overview of Sherman Alexie, I would hope to inspire a reader to read his literature, I have read many of his short stories and poetry, he is an excellent role model for the young aspiring novelist. his tales of contemporary Indian life are laced with sharp witty humor.

Business Proposal Research DesignQuantitative Research

Question: Discuss about the Business ProposalResearch Design forQuantitative Research. Answer: Introduction: Research Design Research Approach A research approach is composed of quantitative research, qualitative research and both. Quantitative research is concerned with the positive paradigm. Here, data are collected and it is then converted into numerical structure so that statistical calculations can be concluded. On the other hand, qualitative research is concerned with the social constructive standard. It emphasises the socially constructed nature of reality. Here, the topic is about the nation branding of Pakistan as a Sufi Country. The research approach is qualitative because the topic is more concerned with the human behaviour, experience, emotions and contradictory beliefs of Pakistan. In the Pakistan history, Sufi has made an important place in the hearts of the Pakistanis. Sufi is a term used to address a person who is guided by their Allah or God. God is a belief, so, the research approach is qualitative. Research Objectives At first, in order to operate and explore Sufism in Pakistan, the nation needs to establish the core values of their own nation. The core values should include their cultures, their Qawalis and so on. These values should be durable, relevant and communicable as well as hold saliency for the potential tourist. Secondly, in order to highlight the role and dynamic aspects of Sufism, the nation should expose the original meaning of Sufism to the tourist and to the world. They should not make it a political issue and cause terror around the world. At last, in order to overcome the challenges, Pakistan needs to totally remove Jihad which is a false myth and should renew the true image of the nation. In this way, the nation can successfully brand their nation as a Sufi Country. Data Collection Methods Sufism is nothing but peoples beliefs in Pakistan and it is important to them. Therefore, qualitative data collection methods is being considered since this data collection method is concerned with the changes in perceptions of the people. Literature Review Introduction The literature review is collected and a theoretical background is explained. Here, the analysis is done and it is aimed for achieving the research objectives. It has been written earlier that the research objectives is the existence of Sufism in Pakistan as well as the Nation Branding. Nation Branding is concerned with the ideology of Sufism. The literature review also provides a detailed explanations of the strategies which can be made effective in case of Pakistan by using some examples of other nations(Philippon, 2014). The Birth of Nation Branding In August 2002, the concept of Nation Branding was developed and established in South Africa. It was developed during the establishment of IMC or International Marketing Council. Nation Branding has created an importance on the symbolic value of products. It have led many countries to highlight their unique characteristics. Nation branding has led to the enhancement of the tourism industry in South Africa. As a result, the tourism industry has led to development based on their strategic planning. Other countries such as Taiwan, Japan, China, Malaysia, South Korea, New Zealand, and Israel and so on has started practising Nation Branding(Philippon, 2014). The Concept of Nation Branding vs branding an organization The concept of branding is more concerned with the symbol, logo, design as well as name. Aaker and Biel said that brand is a designed for distinguishing any type of service or products of an organization to the customers. The identity of brand has become very important for the Pakistanis based on Sufism. The concept behind the nation branding reflects the image of the nation. For example, Pakistan approaches for nation branding. Since Sufism is their beliefs and also their cultures, so, they out Sufism in front to perform their branding. Nation brand can strongly exists in any country and among its all communities and societies. But there is a difference between the marketing a product and marketing a nation across the world. The image of a nation is influenced by their beliefs, lifestyles, society as well as culture. First of all, the marketing of a product is to capture the market and draw customers in order to sell their products and make lots of profits. But in case of nation bra nding, the country draws a huge number of tourist for their unique cultures, society and lifestyles. For example, Las Vegas is known as the place of entertainment. People come here to gamble in casinos. The brand value of Las Vegas is on top if it is observed from the side of Casinos. Moreover, the nation branding is a powerful tool which is utilized for capturing the attention of foreigners from the tourism point of view. A public community focus on improving the image of country so people outside the country are attracted for tourism purpose. The companies which only focus on marketing gains a competitive advantage over their rivals. But on the other hand, nation branding empowers a nation for increasing its competitive advantage in order to fetch new prospects for global industrial as well as service sectors. So it can be well argued that, nation branding is a term developed from marketing concept yet its wide features and proportions makes it confusing and complex. However, in modern era, tourism attractions and investments in tourism industries are majorly focusing nation branding. Tourism is a powerful source of increasing economic constancy and earnings opportunities. Moreover, some of the countries use their nation branding for the political issues. Most of the countries strengthens its nations branding by means of nation branding. The process behind the branding of a nation is an ethical step. There are some important components such as ideology and the integrity of the nation. These components play a major role in branding the nation. The nations must maintain its integrity and its ideology. For example, Myanmar is a country which is similar to Pakistan based on religious beliefs. The tourist are attracted to this country because of Buddhism. They maintain the ideology and integrity. Apart from these, the nation branding represents the total citizens of a country. Sufism as Nation Branding In Central Asia and Pakistan. Sufism is a culture which made an important place in cultural practice. Sufism is a trend which is followed by every citizens of the nations of Central Asia and Pakistan and it is present from the beginning and it do not come to an end. There is a story behind it and it is very interesting. After the death of a Saint, his followers try to revive the preaching and values of the Saint. In the memory of Saint, the followers rejoice the events of his birth, major aspects of life and death ceremonies in diverse ways suitable to culture and personal value of the saint. In most of the Asian countries, Sufism has a strong concept. From the past two hundred and fifty years, Sufism faced many challenges. Challenges such as conflict between the Sufism and Anti-Sufism were present. The ruins of the original Sufism is a mixed concept in the modern generation. People are declaring that the descendants of noble Sufi are the false image in modern generations. It is beli eved that modern Sufis is only a cover of original Sufis but they have no value inside them. Thus it became a threat to them. It is prophesied that if people of todays generation follows Sufism, it means that they are going on wrong path. Conceptual Framework This conceptual framework includes three major Sufism dimensions such as tourism appeal, musical appeal and ideological appeal. Tourism Appeal-Tourist are attracted to Pakistan because of Shrines, Mughal architectures and music, toms, beauty of Northern area of Pakistan and its Islamic culture and architecture. Musical Appeal-Based on the musical appeal, Pakistan is well known for Qawalis, which is a form of sufi devotional. Ideological Appeal- The ideological appeal is concerned with peaceful coexistence with the other countries. These three dimensions are extended and has concluded another conceptual framework for the study. The picture above is a conceptual framework. The effect of Sufism development as nation branding on this framework is described below: The negative picture of Pakistan is increasing overall currency because of the non-appearance of practical supervision by government as well as important partners. Pakistan as a Sufi brand can possibly develop into a solid nation brand (Menhas, Akhtar and Jabeen, 2013). The branding of Pakistan as a Sufi nation would not just make ready for framing an alternate arrangement of affiliations that would be decidedly opposing to the present militancy and radicalism situated discernments connected with Pakistan. However it would benefit the nation as a tourism destination. Today, Sufism has two dimensions. One is the Sufi tradition in Islam and another is Jihad which is false myth of Sufism. Jihad has evolved because of political issues and it started to cause terrors all around the world. Both of these dimensions are opposite of each other. Due to Jihad, the modern original Sufis are facing challenges. They are being murdered and hanged to death as people think them as Jihad. In order to solve this problem, the country should make use of marketing practices which must be assimilated with the theories of the implementation process of the policy. The nation should make use of data triangulation and several case studies The Sufis and Jihad got mixed into the minds of people. The modern Sufis need to follow strategies such as showing their originality. They need to start again and spread Sufism and act as non-violence (Menhas, Akhtar and Jabeen, 2013). References Menhas, R., Akhtar, D. and Jabeen, N. (2013). SOCIOLOGICAL ANALYSIS OF SUFISM (A Case Study Of Hazret Sultan Bahu, Shorkot, Pakistan). IJARBSS, 3(9). Philippon, A. (2014). A sublime, yet disputed, object of political ideology? Sufism in Pakistan at the crossroads. Commonwealth Comparative Politics, 52(2), pp.271-292.